Copper is particularly known for its shiny brown-red surfaces. When copper reacts with oxygen, a special patina gradually develops: the turquoise-colored oxide layer protects the semi-precious metal underneath. The so-called “noble rust” is an appreciated phenomenon in architecture. When used deliberately, oxidized copper can also be used to create particularly aesthetic accents in interior areas – as with the luminaires from the C series by Gantlights.
In outdoor areas, weathered copper surfaces regularly make a vivid appearance. The best-known example is probably the turquoise-green Statue of Liberty in New York. The green domes of cathedrals in many places in this country also catch the eye, such as Berlin Cathedral. The green layers of copper carbonate and copper sulphate are extremely robust and form a natural corrosion protection. However, depending on the air and weather conditions, it takes many years or decades for the copper surface to oxidize naturally.
Renaissance of the patina
The exciting aesthetics of this colored patina are now also being used in modern house construction and interiors. The process of natural copper refinement is accelerated for this purpose: Using heat and a solution of vinegar, salt and ammonia, the surfaces are artificially aged in small steps. It takes around two weeks for an individual color layer to be created in this way. In some cases, very impressive marbling effects are achieved.
The pendant light from the C series by Gantlights with lampshade made of oxidized copper. C-series, pendant light from Gantlights with oak, from 699 euros
Material aesthetics of ageing
“As an architect, I always find it exciting to use principles of architectural design for elements in interior design,” explains Stefan Gant. “The idea of patina lost importance in modernism, but is increasingly being considered again in contemporary architecture. Surfaces and materials that develop their very own aesthetic over the years have a special appeal for me. In addition to oxidized copper, you can therefore also find Corten steel with its rusty brown alloy in our range.”
Warm oak wood and oxidized copper become a special eye-catcher thanks to the exciting contrast of materials.
Careful craftsmanship and modern design
Each Gantlights luminaire is manufactured by hand in precise, elaborate individual steps: The concrete body is poured into a mold to harden for 24 hours. All edges can then be carefully finished before the entire element rests for a further 7 days to harden. Logs are used for the wooden parts, which are sawn, then planed, milled, glued, sanded and oiled. The metal shades are laser-cut, folded and then sanded, polished and finished by hand. The LEDs and cables are also fitted manually.
Each Gantlights luminaire is an individual room object with an architectural character.
Lighting as a design element
Gantlights are highly valued by interior designers for their special spatial effect: they hang in prestigious reception areas of doctors’ surgeries and hotels, create highlights in bars and restaurants and provide a homely feel in modern offices. Private customers also choose the timeless design of Gantlights for living rooms, bedrooms, kitchens and bathrooms.
The Gantlights luminaires can be experienced in various design stores and interior design stores throughout Germany and internationally. Berliners are always welcome to look over the shoulders of the team in the Gantlights studio as they put the finishing touches to their designs or to exchange a few thoughts on his lighting concept with Stefan Gant in person.
Welcome to the Gantlights atelier and studio at Böhmische Straße 12, Berlin Neukölln.
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Stainless steel as a highlight: lights with a turquoise copper patina
Copper is particularly known for its shiny brown-red surfaces. When copper reacts with oxygen, a special patina gradually develops: the turquoise-colored oxide layer protects the semi-precious metal underneath. The so-called “noble rust” is an appreciated phenomenon in architecture. When used deliberately, oxidized copper can also be used to create particularly aesthetic accents in interior areas – as with the luminaires from the C series by Gantlights.
In outdoor areas, weathered copper surfaces regularly make a vivid appearance. The best-known example is probably the turquoise-green Statue of Liberty in New York. The green domes of cathedrals in many places in this country also catch the eye, such as Berlin Cathedral. The green layers of copper carbonate and copper sulphate are extremely robust and form a natural corrosion protection. However, depending on the air and weather conditions, it takes many years or decades for the copper surface to oxidize naturally.
Renaissance of the patina
The exciting aesthetics of this colored patina are now also being used in modern house construction and interiors. The process of natural copper refinement is accelerated for this purpose: Using heat and a solution of vinegar, salt and ammonia, the surfaces are artificially aged in small steps. It takes around two weeks for an individual color layer to be created in this way. In some cases, very impressive marbling effects are achieved.
The pendant light from the C series by Gantlights with lampshade made of oxidized copper. C-series, pendant light from Gantlights with oak, from 699 euros
Material aesthetics of ageing
“As an architect, I always find it exciting to use principles of architectural design for elements in interior design,” explains Stefan Gant. “The idea of patina lost importance in modernism, but is increasingly being considered again in contemporary architecture. Surfaces and materials that develop their very own aesthetic over the years have a special appeal for me. In addition to oxidized copper, you can therefore also find Corten steel with its rusty brown alloy in our range.”
Warm oak wood and oxidized copper become a special eye-catcher thanks to the exciting contrast of materials.
Careful craftsmanship and modern design
Each Gantlights luminaire is manufactured by hand in precise, elaborate individual steps: The concrete body is poured into a mold to harden for 24 hours. All edges can then be carefully finished before the entire element rests for a further 7 days to harden. Logs are used for the wooden parts, which are sawn, then planed, milled, glued, sanded and oiled. The metal shades are laser-cut, folded and then sanded, polished and finished by hand. The LEDs and cables are also fitted manually.
Each Gantlights luminaire is an individual room object with an architectural character.
Lighting as a design element
Gantlights are highly valued by interior designers for their special spatial effect: they hang in prestigious reception areas of doctors’ surgeries and hotels, create highlights in bars and restaurants and provide a homely feel in modern offices. Private customers also choose the timeless design of Gantlights for living rooms, bedrooms, kitchens and bathrooms.
The Gantlights luminaires can be experienced in various design stores and interior design stores throughout Germany and internationally. Berliners are always welcome to look over the shoulders of the team in the Gantlights studio as they put the finishing touches to their designs or to exchange a few thoughts on his lighting concept with Stefan Gant in person.
Welcome to the Gantlights atelier and studio at Böhmische Straße 12, Berlin Neukölln.